My Pitch
Title:
‘The Call Up’
Genre:
Drama, i chose this genre because I wanted my audience to be able to invest more in the characters. for example, to be able to identify with them. I feel with this genre, it will be easier to have a more grounded approach and thus prevent the audience from finding it difficult to follow the developments of the story.
Form:
A short film of a meeting between an employer and employee.
Location:
Howard school maybe Mr Curtis classroom.
Time:
Set during midday, around 12.30pm before the lunch break.
Characters:
·
Ismail Khwaja – plays a young journalist, whose
job is on the line.
·
- plays
Ismail’s boss who is considering firing him.
Plot Outline:
The short film revolves around Ismail, a young journalist,
grappling with the responsibilities of being a husband and father, along-side
his duties as a news reporter for Sky news. Due to the pressures of being a
parent, Ismail struggles to maintain the demands at work and is now under fire
from his boss who calls him in to his office for a private meeting to discuss
the possibility of Ismail being let go. His boss is a very strict individual
and lays down all of his grievances, regarding Ismail’s recent failures.
However, before he can give his final verdict and put Ismail to the sword,
Ismail finds the courage to speak up and reveals his recent troubles of
balancing his family life with work, which prompts his boss to re-consider
Ismail’s position.
Key micro features
Main camera angles/shots:
·
Shot reverse shot - to show the conversation
between Ismail and his boss.
·
Match on action – this is used during the moment
Ismail’s boss throws a newspaper towards him.
·
Low angle – this is used to indicate that
Ismail’s boss is the one in control and in a position of power.
·
Extreme close up – this is used on Ismail’s face
to convey his nervousness about potentially being fired.
·
Mid shot – this is used to show how Ismail
becomes more open, as he pleads with his boss.
·
180 degree rule – this will be maintained by the
camera being positioned on side of the meeting and it will remain on the right
hand side throughout the duration of the film.
Sound
·
Dialogue between Ismail and his boss
·
Door opening
Mise-En-Scene
·
One desk
·
Files
·
Two chair
- A newspaper
Script
(Scene begins with an extreme close up of Ismail’s watch,
signifying it’s time for him to meet his boss)
Ismail: (Knocks on door and opens the door to enter his
boss’ office)
Boss: Oh I’m glad you made it on time, unlike this morning.
Well take a seat.
(Two shot,
showing both characters)
Ismail: (Ismail sits down, over the shoulder shot) I wasn’t
going to miss this, Sir.
Boss: (Reverse shot, over the shoulder shot) So, you know
why you’re here, yes?
Ismail: (Mid shot) Yes, Sir.
Boss: (Low angle shot of boss) Hmm…it’s been very
disappointing, I must say. I do not approve of your recent behaviour. I mean
you’ve been late. Unfocused and the work in which you have produced is not of
your usual standard. Do you have anything to say for yourself?
Ismail: (Extreme close-up) I apologise, I mean I have been
so-
Boss: (match on action shot, he throws newspaper towards
Ismail) Look! This is what I expect. I won’t tolerate you slacking any further.
You’re a disgrace to this establishment. We have a reputation to uphold!
Ismail: (close-up) please, let me explain.
Boss: (close-up) is there something you haven’t told me?
Ismail: (Mid-shot) well, it’s been hard. I mean everything is
just getting to me. With Sarah recently giving birth, the pressure of providing
for my family has become a real burden. I cannot cope with constant demands
from work. I’m always unfocused when I’m writing. The troubles and
responsibilities linger on my mind. There has been no one. No one! I have had
to be strong enough for everyone else, but honestly sir, I need help myself…
Boss: (Mid-shot) Ismail. Allow me to apologise. I wasn’t
aware of your struggles. If you need help, then by all means ask, but for now
we can’t accept the standard of work that you are producing…
Ismail: (Extreme Close Up) Are you firing me, Sir?
Boss: (Mid-Shot) No. For now, I’m giving you two weeks leave
and we’ll discuss if we should change your position in this work place, but I
can assure you, you’re not being fired. You just need to concentrate on finding
your feet.
(Two shot, both men stand up and shake hands)
Ismail: Thank you, Sir.
Boss: Not a problem.
Feedback:
A majority
of our feedback was positive, as it was summarise to say that our idea was a
good concept to enable use to use the movements and shots which we need in to
achieve the preliminary.
So this
resulted in us not having to change anything as the pitch was favoured. And there
where only minor constructive criticisms which were then explained to the
people who we delivered our pitch to who then themselves liked the pitch.
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